Field sketching and the experience of landscape / Janet Swailes
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Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
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LRC - Architecture | National University - Manila | COA General | General Circulation | GC NC 795 .S93 2016 (Browse shelf (Opens below)) | c.1 | Available | NULIB000016496 |
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GC NC 750 .H37 1976 Graphics for designers : a studio workbook / | GC NC 765 .B47 1977 c.1 Drawing the human form : methods, sources, concepts : a guide to drawing from life / | GC NC 765 .G65 1976 Figure drawing : the structure, anatomy, and expressive design of human form / | GC NC 795 .S93 2016 Field sketching and the experience of landscape / | GC NC 880 .L35 1973 Pastel, charcoal, and chalk drawing : history, classical and contemporary techniques / | GC NC 892 .N53 2009 Colored pencil painting bible : techniques for achieving luminous color and ultrarealistic effects / | GC ND 195 .W37 1970 Modern painting : the movements, the artists, their work / |
Includes bibliographical references and index.
PART 1. Reviewing field sketching as a contemporary practice: 1. Practice: field sketching -- 2. Practice: changes in how we think about perception -- 3. Practice: theory, ideas and arts practice --
PART 2. Developing the technique of field sketching: 4. Technique: towards an integrated visual and experiental approach -- 5. Technique: fieldwork and field notation 1 -- 6. Technique: drawing in the field 1 --
PART 3. Core skills: 7. Core skills: fieldwork and field notaton 2 -- 8. Core skills: drawing in the field 2 --
Conclusion -- Bibliography -- Index.
The act of field sketching allows us to experience the landscape first-hand – rather than reliance upon plans, maps and photographs at a distance, back in the studio. Aimed primarily at landscape architects, Janet Swailes takes the reader on a journey through the art of field sketching, providing guidance and tips to develop skills from those starting out on a design course, to those looking to improve their sketching.
Combining techniques from landscape architecture and the craft and sensibilities of arts practice, she invites us to experience sensations directly out in the field to enrich our work: to look closely at the effects of light and weather; understand the lie and shapes of the land through travel and walking; and to consider lines of sight from the inside out as well as outside in.
Full colour throughout with examples, checklists and case studies of other sketchers’ methods, this is an inspirational book to encourage landscape architects to spend more time in the field and reconnect with the basics of design through drawing practice.
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