Music in the zarzuelas of Severino Reyes ("Lola Basyang") / Helen F. Samson

By: Lauterwald-Samson, Helen F [author]Material type: TextTextPublication details: Quezon City, Philippines : University of the Philippines Press, c2016Description: ix, 197 pages : illustrations ; 23 cmISBN: 9789715428002Subject(s): MUSIC APPRECIATION -- PHILIPPINES | MUSICALS -- HISTORY AND CRITICISMLOC classification: M 1950 .S36 2016
Contents:
Chapter One. The zarzuela in spain -- Chapter Two. The zarzuela in philippines -- Chapter Three. Severino Reyes, the dramatist -- Chapter Four. Analysis of the extant music in the zarzuelas of severino reyes -- Chapter Five. Summary and evaluation.
Summary: Severino Reyes (1861-1942), writer and dramatist, wrote the libretto to a total of twenty zarzuelas in which he worked closely with composers ranging from Fulgencio Tolentino (1870-1940) to Antonio Molina (1894-1980). Unfortunately, only eleven of these works have extant music today. Nevertheless, they present a good cross section of musical theory and practice in the Philippines early in the twentieth century. The author also includes reproductions of original zarzuela compositions as found in the appendix, and recommends their possible revival today even as individual compositions.
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Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Books Books LRC - Annex
National University - Manila
General Education Filipiniana FIL M 1950 .S36 2016 (Browse shelf (Opens below)) c.1 Available NULIB000016569

Includes bibliographical references and index.

Chapter One. The zarzuela in spain -- Chapter Two. The zarzuela in philippines -- Chapter Three. Severino Reyes, the dramatist -- Chapter Four. Analysis of the extant music in the zarzuelas of severino reyes -- Chapter Five. Summary and evaluation.

Severino Reyes (1861-1942), writer and dramatist, wrote the libretto to a total of twenty zarzuelas in which he worked closely with composers ranging from Fulgencio Tolentino (1870-1940) to Antonio Molina (1894-1980). Unfortunately, only eleven of these works have extant music today. Nevertheless, they present a good cross section of musical theory and practice in the Philippines early in the twentieth century. The author also includes reproductions of original zarzuela compositions as found in the appendix, and recommends their possible revival today even as individual compositions.

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