000 | 02370nam a2200229Ia 4500 | ||
---|---|---|---|
003 | NULRC | ||
005 | 20250520103004.0 | ||
008 | 250520s9999 xx 000 0 und d | ||
020 | _a9781479825059 | ||
040 | _cNULRC | ||
050 | _aGN 36.P6 .S44 2017 | ||
100 |
_aSee, Sarita Echavez _eauthor |
||
245 | 4 |
_aThe Filipino primitive : _baccumulation and resistance in the American museum : _cSarita Echavez See |
|
260 |
_aNew York : _bNew York University Press, _cc2017 |
||
300 |
_aviii, 237 pages : _billustrations ; _c23 cm. |
||
365 | _bUSD30 | ||
504 | _aIncludes bibliographical references and index. | ||
505 | _aIntroduction : accumulating the primitive -- Part I. The archive : dispossession by accumulation -- Part II. The repertoire of dispossession -- Conclusion : accumulation now and then. | ||
520 | _aNowhere can we appreciate so easily the intertwined nature of the triple forces of knowledge accumulation-capital, colonial, and racial-than in the imperial museum, where the objects of accumulation remain materially, visibly preserved. Sarita See maintains that it is this material collection of artifacts associated with the racial, colonial primitive that forms the foundation of American knowledge production. The Filipino Primitive takes Karl Marx's concept of "primitive accumulation, " usually conceived of as an economic process for the acquisition of land and the extraction of labor, and argues that we also must understand it as a project of knowledge accumulation. Taking us through the Philippine collections at the University of Michigan Natural History Museum and the Frank Murphy Memorial Museum, also in Michigan, See reveals these exhibits as both allegory and real case of the primitive accumulation subtending imperial American knowledge, just as the extraction of Filipino labor contributes to American capitalist colonialism. With this understanding of the Filipino foundations of the development of an American accumulative drive toward power and knowledge, we can appreciate the value of Filipino American cultural producers like Carlos Bulosan, Stephanie Syjuco, and Ma-Yi Theater Company who have created incisive parodies of an accumulative epistemology, even as they articulate powerful alternative, anti-accumulativesocial ecologies. | ||
650 | _aMATERIAL CULTURE -- PHILIPPINES -- HISTORY | ||
942 |
_2lcc _cBK |
||
999 |
_c20690 _d20690 |