000 | 01864nam a2200217Ia 4500 | ||
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003 | NULRC | ||
005 | 20250520094940.0 | ||
008 | 250520s9999 xx 000 0 und d | ||
020 | _a30001048 | ||
040 | _cNULRC | ||
050 | _aPN 2061 .D45 1986 | ||
100 |
_aDelgado, Ramon, _eauthor |
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245 | 0 |
_aActing with both sides of your brain : _bperspectives on the creative process / _cRamon Delgado |
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260 |
_aNew York : _bHolt, Rinehart and Winston, Inc., _cc1986 |
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300 |
_axiii, 303 pages : _billustrations ; _c24 cm. |
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504 | _aIncludes index. | ||
505 | _aPart One. The creative perspective -- Part Two. The human perspective -- Part Three. The perspective of craft -- Part Four. The perspective of role development -- Part Five. The perspective of genre. | ||
520 | _a"Research on right and left hemisphere brain functions provides a metaphor and possibly even a physical explanation for the dual nature of the performing experience. Investigations by psychologists and neurologists suggest that the creative, non-verbal functions of the right hemisphere of the brain are equally important to our balance as whole personalities as is the dominant left hemisphere of the brain, long believed to direct logical and verbal functions. If the dominant left hemisphere can be temporarily overridden, we gain access to the creative right functions and a healthy balance occurs. It is this balance between the two hemispheres which creates the double awareness that the audience has of the performer as both actor and character. It is the balance which permits actors the simultaneous experience of emotional release and emotional control. Further study convinced the author the right-brain/left-brain approach was indeed a useful way of organizing the development of the creative processes."--Publisher description. | ||
650 | _aACTING | ||
942 |
_2lcc _cBK |
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999 |
_c7117 _d7117 |